Then the Ainur marvelled to see how the world was globed amid the void and yet separated from it; and they rejoiced to see light, and found it was both white and golden, and the laughed for the pleasure if colors, and for the great roaring of the ocean they were filled with longing. Their hearts were glad because of air and the winds, and the matters whereof the Earth was made – iron and stone and silver and gold and many substances: but of all these water was held the fairest and most goodly and most greatly praised. Indeed there liveth still in water a deeper echo of the Music of the Ainur than in any substance else that is in the world, and at this latest day many of the Sons of Men will hearken unsatedly to the voice of the Sea and long for they know not what. – History of Middle Earth I, pp 56 – The Music of the Ainur
This passage is very similar to the version in the Ainulindalë (Silmarillion, ch1), and has always stuck out for me. Why the water? Because it is seamlessly fluid, and so most like the ultimate reality of all things? Or because the sound itself is so intricate and full of clean noise (in the sound design context). After all, the sound of water might be considered close infinite vibrations sounding on infinite particle impacts at infinite angles, whereas the sound of a sharp metal pin hitting a flat metal plate is closer to a single vibration from a single impact.
I wonder what this means for Ulmo, Lord of Waters? Does Jung have a water, and an Ulmo?